Red

St. Agatha

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Some of this music is typeset from volunteers' transcriptions, not yet proofread. About the typeset music

6 of 7 parts, 74 systems

St. Agatha

S. Agathæ Virginis et Martyris

III class · Red · next on Friday, 5 February 2027

Proper

S. Agathæ Virginis et Martyrispp. 74–78

Introit: the music, typeset — S. Agathæ Virginis et Martyris, mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 74–78, shown as 52 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.

S. Agathæ Virginis et Martyris, mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 74–78, shown as 52 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.

Ordinary

Missa XII — Pater cuncta

Kyriale heading: “In Festis Semiduplicibus” (for Friday, 5 February 2027). NOH (1942) ranks feasts as doubles and semidoubles; the 1962 calendar uses classes. The correspondence used here is approximate.

Kyrie: the music, typeset — In Festis Semiduplicibus 1, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 68–72, shown as 29 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.

In Festis Semiduplicibus 1, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 68–72, shown as 29 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.

Source

Collection: Nova Organi Harmonia ad Graduale Romanum
Book: Book III
Edition: Lemmens Institute, Mechelen: H. Dessain, 1942.
Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.
Citation: pp. 74–78
Rights: The page images and everything cut from them are in the public domain.

Sources and attributions

Source

Collection: Nova Organi Harmonia ad Graduale Romanum
Book: Book V
Edition: Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation: pp. 68–72
Rights: The page images and everything cut from them are in the public domain.

Sources and attributions

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