St. Aloysius Gongzaga

S. Aloisii Gonzagæ Confessoris

III class · White · next on Monday, 21 June 2027

Proper

S. Aloisii Gonzagæ Confessoris, mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 215–220, shown as 32 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

MInuísti eum paulo minus ab Angelis : glória et honóre coronásti eum. Laudáte Dóminum omnes Angeli ejus : laudáte eum omnes virtútes ejus. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

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Chant text · Latin

DOmine, spes mea a juventúte mea : in te confirmátus sum ex útero : de ventre matris meae tu es protéctor meus. Me autem propter innocéntiam suscepísti : et confirmásti me in conspéctu tuo in aetérnum.

Text source: GregoBase

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Gradual: the music, typeset

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Chant text · Latin

Allelúia. Beátus quem elegísti, et assumpsísti : inhabitábit in átriis tuis.

Text source: GregoBase

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Alleluia: the music, typeset

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In Missis votivis Tempore Paschali omittitur Graduale, et ejus loco dicitur: Alleluia, alleluia. ℣. Beatus quem elegisti, ut supra, deinde:

In votive Masses during Paschaltide, omit the Gradual and in its place sing: Alleluia, alleluia. Verse: Beatus quem elegisti, as above; then:

Chant text · Latin

Allelúia. Deus, docuísti me a juventúte mea : et usque nunc pro nuntiábo mirabília tua.

Text source: GregoBase

Chant text · Latin

QUis ascéndet in montem Dómini, aut quis stabit in loco sancto ejus? Innocens mánibus, et mundo corde.

Text source: GregoBase

Chant text · Latin

PAnem caeli dedit eis : panem Angelórum manducávit homo.

Text source: GregoBase

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Communion: the music, typeset

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Ordinary

Missa XII — Pater cuncta

Kyriale heading: “In Festis Semiduplicibus” (for Monday, 21 June 2027). NOH (1942) ranks feasts as doubles and semidoubles; the 1962 calendar uses classes. The correspondence used here is approximate.

In Festis Semiduplicibus 1, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 68–72, shown as 29 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

GLória in excélsis Deo. Et in terra pax homínibus bonae voluntátis. Laudámus te. Benedícimus te. Adorámus te. Glorificámus te. Grátias ágimus tibi propter magnam glóriam tuam. Dómine Deus, Rex caeléstis, Deus Pater omnípotens. Dómine Fili unigénite Jesu Christe. Dómine Deus, Agnus Dei, Fílius Patris. Qui tollis peccáta mundi, miserére nobis. Qui tollis peccáta mundi, súscipe deprecatiónem nostram. Qui sedes ad déxteram Patris, miserére nobis. Quóniam tu solus sanctus. Tu solus Dóminus. Tu solus Altíssimus, Jesu Christe. Cum Sancto Spíritu, in glória Dei Patris. Amen.

Text source: GregoBase

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Gloria: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Chant text · Latin

I-\kern 6mm[De-]te,[o] mis[grá-]sa[ti-] est.[as.]

Text source: GregoBase

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Ite, missa est: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 215–220

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 68–72

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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