Seven Sorrows of the Blessed Virgin Mary

Septem Dolorum Beatæ Mariæ Virginis

II class · White · next on Wednesday, 15 September 2027

Proper

Septem Dolorum Beatæ Mariæ Virginis (Feria VI post Dominicam Passionis), mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 128–141, shown as 74 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.

Introit · Stabant juxta crucem

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Chant text · Latin

Stabant juxta crucem Je su mater ejus, et soror matris ejus María Cléophæ, et Salóme, et María Magda léne. ℣. Múlier, ecce fílius tuus, dixit Jesus; ad discípulum autem: Ecce mater tua. Glória Patri, et Fílio, et Spirítui Sancto. Sicut erat in princípio, et nunc, et semper, et in sǽcula sæculórum. Amen.

Text source: Volunteer transcription

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Gradual · Dolorosa et lacrimabilis

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Tract · Stabat sancta Maria

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In Missis votivis per annum, Graduale Dolorosa et lacrimabilis, ut supra; deinde:

In votive Masses throughout the year, sing the Gradual Dolorosa et lacrimabilis, as above; then:

Chant text · Latin

Allelúia. Stabat sancta María, caeli Regína, et mundi Dómina, juxta crucem Dómini nostri Jesu Christi dolorósa.

Text source: GregoBase

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Alleluia 1: the music, typeset

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Tempore Paschali: Alleluia, alleluia. ℣. Stabat sancta Maria, ut supra; deinde:

During Paschaltide: Alleluia, alleluia. Verse: Stabat sancta Maria, as above; then:

Chant text · Latin

Allelúia. O vos omnes, qui transítis per viam, atténdite, et vidéte, si est dolor sicut dolor meus.

Text source: GregoBase

Chant text · Latin

REcordáre, Virgo Mater, in conspéctu Dei, ut loquáris pro nobis bona, et ut avértat indignatiónem suam a nobis. Allelúia.

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Offertory: the music, typeset

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Communion · Felices sensus

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Chant text · Latin

Felíces sen sus beátæ Maríæ Vir ginis, qui sine morte meru érunt martýrii palmam sub cruce Dómi ni.

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Ordinary

Missa IX — Cum jubilo

Kyriale heading: “In Festis B. Mariae V.” (for Wednesday, 15 September 2027).

In Festis B. Mariae V. 1, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 53–57, shown as 30 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Kýrie eléison. Kýrie eléison. Christe eléison. Christe eléison. Christe eléison. Kýrie eléison. Kýrie eléison. Kýrie eléison.

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Kyrie: the music, typeset

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Chant text · Latin

GLória in excélsis Deo. Et in terra pax homínibus bonae voluntátis. Laudámus te. Benedícimus te. Adorámus te. Glorificámus te. Grátias ágimus tibi propter magnam glóriam tuam. Dómine Deus, Rex caeléstis, Deus Pater omnípotens. Dómine Fili unigénite Jesu Christe. Dómine Deus, Agnus Dei, Fílius Patris. Qui tollis peccáta mundi, miserére nobis. Qui tollis peccáta mundi, súscipe deprecatiónem nostram. Qui sedes ad déxteram Patris, miserére nobis. Quóniam tu solus sanctus. Tu solus Dóminus. Tu solus Altíssimus, Jesu Christe. Cum Sancto Spíritu, in glória Dei Patris. Amen.

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Gloria: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

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Agnus Dei: the music, typeset

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Chant text · Latin

Ite, missa est. Deo grátias.

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Ite, missa est: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 128–141

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 53–57

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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