Palm Sunday

Dominica II Passionis seu in Palmis

I class · Red / Violet · next on Sunday, 21 March 2027

Proper

De benedictione ramorum

De benedictione ramorum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part I, pp. 299–299, shown as 3 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

HOSÁNNA fílio David : benedíctus qui venit in nómine Dómini. Rex Israël : Hosánna in excélsis.

Text source: GregoBase

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Antiph. VII: the music, typeset

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De distributione ramorum

De distributione ramorum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part I, pp. 299–301, shown as 10 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

Púeri Hebræórum, portántes ramos olivárum, obviavérunt Dómino, clamántes et dicéntes: Hosánna in excélsis.

Text source: GregoBase

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Ant. 1: the music, typeset

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Chant text · Latin

Púeri Hebræórum, vestiménta prosternébant in via, et clamábant dicéntes: Hosánna fílio David: benedíctus qui venit in nómine Dómini.

Text source: GregoBase

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Ant. 2: the music, typeset

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Dominica II Passionis seu in Palmis

Dominica II Passionis seu in Palmis, mode not recorded, organ accompaniment from Nova Organi Harmonia, part I, pp. 302–325, shown as 139 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

Occúrunt turbæ cum flóribus et palmis Redemptóri óbviam, et victóri triumphánti digna dant obséquia: Fílium Dei ore gentes pr dicant; et in laudem Christi voces tonant per núbila: Hosánna!

Text source: GregoBase

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Ant. 1: the music, typeset

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Chant text · Latin

TUrba multa, quae convénerat ad diem festum, clamábat Dómino : « Benedíctus qui venit in nómine Dómini : Hosánna in excélsis ».

Text source: GregoBase

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Ant.: the music, typeset

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Chant text · Latin

CŒpérunt omnes turbae descendéntium gaudéntes laudáre Deum voce magna, super ómnibus quas víderant virtútibus, dicéntes : « Benedíctus qui venit Rex in nómine Dómini; pax in terra, et glória in excélsis ».

Text source: GregoBase

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Ant. 4: the music, typeset

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Chant text · Latin

Omnes colláudant nomen tuum, et dicunt : « Benedíctus qui venit in nómine Dómini : Hosánna in excélsis ».

Text source: GregoBase

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Ant. 5: the music, typeset

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Chant text · Latin

Omnes colláudant nomen tuum, et dicunt : « Benedíctus qui venit in nómine Dómini : Hosánna in excélsis ».

Text source: GregoBase

Chant text · Latin

FUlgéntibus palmis prostérnimur adveniénti Dómino : huic omnes occurrámus cum hymnis et cánticis, glorificántes et dicéntes : « Benedíctus Dóminus ».

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Ant. 6: the music, typeset

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Chant text · Latin

Ave, Rex noster, Fili David, Redémptor mundi, quem prophétae praedixérunt Salvatórem dómui Israël esse ventúrum. Te enim ad salutárem víctimam Pater misit in mundum, quem exspectábant omnes sancti ab orígine mundi, et nunc : « Hosánna Fílio David. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis ».

Text source: GregoBase

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Ant. 7: the music, typeset

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Chant text · Latin

INgrediénte Dómino in sanctam civitátem, Hebraeórum púeri resurrectiónem Vitae pronuntiántes, Cum ramis palmárum : « Hosánna, clamábant, in excélsis ». Cumque audísset pópulus, quod Jesus veníret Jerosólymam, exiérunt óbviam ei. Cum ramis.

Text source: GregoBase

Chant text · Latin

DOmine, ne longe fácias auxílium tuum a me, ad defensiónem meam áspice : líbera me de ore leónis, et a córnibus unicornuórum humilitátem meam. Deus, Deus meus, réspice in me, quare me dereliquísti? longe a salúte mea verba delictórum meórum. Dómine, ne longe.

Text source: GregoBase

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Introit: the music, typeset

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Chant text · Latin

TEnuísti manum déxteram meam : in voluntáte tua deduxísti me : et cum glória assumpsísti me. Quam bonus Israel Deus rectis corde! mei autem paene moti sunt pedes, paene effúsi sunt gressus mei : quia zelávi in peccatóribus, pacem peccatórum videns.

Text source: GregoBase

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Gradual: the music, typeset

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Chant text · Latin

DEus, Deus meus, réspice in me : quare me dereliquísti? Longe a salúte mea verba delictórum meórum. Deus meus clamábo per diem, nec exáudies : in nocte, et non ad insipiéntiam mihi. Tu autem in sancto hábitas, laus Israel. In te speravérunt patres nostri : speravérunt, et liberásti eos. Ad te clamavérunt, et salvi facti sunt : in te speravérunt, et non sunt confúsi. Ego autem sum vermis, et non homo : oppróbrium hóminum, et abjéctio plebis. Omnes qui vidébant me, aspernabántur me : locúti sunt lábiis et movérunt caput. Sperávit in Dómino, erípiat eum : salvum fáciat eum, quóniam vult eum. Ipsi vero consideravérunt, et conspexérunt me : divisérunt sibi vestiménta mea, et super vestem meam misérunt sortem. Líbera me de ore leónis : et a córnibus unicornuórum humilitátem meam. Qui timétis Dóminum, laudáte eum : univérsum semen Jacob, magnificáte eum. Annuntiábitur Dómino generátio ventúra : et annuntiábunt caeli justítiam ejus. Pópulo qui nascétur, quem fecit Dóminus.

Text source: GregoBase

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Tract: the music, typeset

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Chant text · Latin

IMpropérium exspectávit cor meum, et misériam : et sustínui qui simul contristarétur, et non fuit : consolántem me quaesívi, et non invéni : et dedérunt in escam meam fel, et in siti mea potavérunt me acéto.

Text source: GregoBase

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Offertory: the music, typeset

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Chant text · Latin

PAter, si non potest hic calix transíre, nisi bibam illum : fiat volúntas tua.

Text source: GregoBase

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Communion: the music, typeset

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Ordinary

Missa XVII

Kyriale heading: “In Dominicis Adventus et Quadragesimae” (for Sunday, 21 March 2027).

In Dominicis Adventus et Quadragesimae, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 91–95, shown as 26 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie (another, where it is the custom): the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Chant text · Latin

BEnedicámus Dómino. Deo grátias.

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Deo gratias (mode I): the music, typeset

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Chant text · Latin

BEnedicámus Dómino. Deo grátias.

Text source: GregoBase

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Deo gratias (mode VI): the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 299–299

pp. 299–301

pp. 302–325

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 91–95

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

All evenings of this occasion

Vespers

Pss. 109–113: VII c2, III b, IV g, VII c, tonus peregrinus · Magnificat: VIII G* · Ave Regina caelorum · Magnificat antiphon Scriptum est enim

Full Vespers, in the order sung (Sunday, 21 March 2027)

Hymns for the Office

Additional printed settings in Book VII. The Vespers page above keeps its own accompaniment.

All hymns across the books

More for this season