Saturday of the Third Week of Lent

Sabbato Hebdomadae III Quadragesimae

All years · all seasons. Every applicable alternative starts selected; choose the chants required for this celebration.

Saturday of the Third Week of Lent, assembled from Nova Organi Harmonia sources for the Graduale Romanum (1974) assignment. Each borrowed section identifies its printed NOH source. The music is shown as 23 scanned systems from the 1942 edition and cannot be read by a screen reader.
Chant text · Latin

EXsúrge Dómine, ádjuva nos et líbera nos, propter nomen tuum. Deus áuribus nostris audívimus : patres nostri annuntiavérunt nobis. Glória Patri. E u o u a e. Exsúrge Dómine.

Text source: GregoBase

Music from In Purificatione Beatæ Mariæ Virginis, Nova Organi Harmonia, part III, pp. 61–74.

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Introit: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Chant text · Latin

DEus exáudi oratiónem meam : áuribus pércipe verba oris mei. Deus in nómine tuo salvum me fac, et in virtúte tua júdica me.

Text source: GregoBase

Music from Feria II infra Hebd Passionis, Nova Organi Harmonia, part I, pp. 281–284.

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Gradual: the music, typeset

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Chant text · Latin

DOmine convértere, et éripe ánimam meam : salvum me fac propter misericórdiam tuam.

Text source: GregoBase

Music from Dominica II Post Pentecosten, Nova Organi Harmonia, part II, pp. 128–132.

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Offertory: the music, typeset

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Chant text · Latin

DOminus virtútum ipse est Rex glóriae.

Text source: GregoBase

Music from Feria II infra Hebd Passionis, Nova Organi Harmonia, part I, pp. 281–284.

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Communion: the music, typeset

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Ordinary

The Kyriale heading suggests a setting. Every Mass is available.

Missa XVIII

In Feriis Adventus et Quadragesimae, in Vigiliis, Feriis IV. Temporum et in Missa Rogationum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 96–98, shown as 14 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Ite, missa est

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Ite, missa est: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 96–98

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

About this set

Graduale Romanum (1974) · 4 assigned chants

Every applicable alternative starts selected, and the music for other years and seasons stays on the page. Choose the chants required for this celebration.

This page assembles available Nova Organi Harmonia music for chants assigned in the 1974 Graduale Romanum.

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 61–74

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 281–284

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 128–132

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Chant assignments follow the Graduale Romanum (1974). Each NOH section remains linked to its printed source and correction target.