Dominica IV Post Pentecosten

Dominica IV Post Pentecosten· printed pp. 149–153· 35 systems

Dominica IV Post Pentecosten, mode not recorded, organ accompaniment from Nova Organi Harmonia, part II, pp. 149–153, shown as 35 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

DOminus illuminátio mea, et salus mea, quem timébo? Dóminus defénsor vitae meae, a quo trepidábo? qui tríbulant me inimíci mei, infirmáti sunt, et cecidérunt. Si consístant advérsum me castra : non timébit cor meum. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

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Chant text · Latin

PRopítius esto Dómine peccátis nostris : ne quando dicant gentes : Ubi est Deus eórum? Adjuva nos, Deus salutáris noster : et propter honórem nóminis tui Dómine, líbera nos.

Text source: GregoBase

Music from Sabbato Quattuor Temporum Quadragesimæ, Nova Organi Harmonia, part I, pp. 193–201 (rubric cites Nova Organi Harmonia, part I, p. 194).

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Gradual: the music, typeset

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Chant text · Latin

Allelúia. Deus, qui sedes super thronum, et júdicas aequitátem : esto refúgium páuperum in tribulatióne.

Text source: GregoBase

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Alleluia: the music, typeset

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Chant text · Latin

ILlúmina óculos meos, nequándo obdórmiam in morte : nequándo dicat inimícus meus : Praeválui advérsus eum.

Text source: GregoBase

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Offertory: the music, typeset

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Chant text · Latin

DOminus firmaméntum meum, et refúgium meum, et liberátor meus : Deus meus adjútor meus. Allelúia.

Text source: GregoBase

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Communion: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 149–153

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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