Dominica XIX Post Pentecosten

Dominica XIX Post Pentecosten· printed pp. 234–238· 34 systems

Dominica XIX Post Pentecosten, mode not recorded, organ accompaniment from Nova Organi Harmonia, part II, pp. 234–238, shown as 34 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

SAlus pópuli ego sum, dicit Dóminus : de quacúmque tribulatióne clamáverint ad me, exáudiam eos : et ero illórum Dóminus in perpétuum. Atténdite pópule meus legem meam : inclináte aurem vestram in verba oris mei. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Chant text · Latin

DIrigátur orátio mea sicut incénsum in conspéctu tuo, Dómine. Elevátio mánuum meárum sacrifícium vespertínum.

Text source: GregoBase

Music from Sabbato Quattuor Temporum Quadragesimæ, Nova Organi Harmonia, part I, pp. 193–201 (rubric cites Nova Organi Harmonia, part I, p. 198).

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Gradual: the music, typeset

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Chant text · Latin

Allelúia. Confitémini Dómino, et invocáte nomen ejus : annuntiáte inter gentes ópera ejus.

Text source: GregoBase

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Alleluia: the music, typeset

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Chant text · Latin

SI ambulávero in médio tribulatiónis, vivificábis me, Dómine : et super iram inimicórum meórum exténdes manum tuam, et salvum me fecit déxtera tua.

Text source: GregoBase

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Offertory: the music, typeset

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Chant text · Latin

TU mandásti mandáta tua custodíri nimis : útinam dirigántur viae meae, ad custodiéndas justificatiónes tuas.

Text source: GregoBase

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Communion: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 234–238

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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