Feria V post Cineres

Feria V post Cineres· printed pp. 164–164· 29 systems

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Feria V post Cineres, mode not recorded, organ accompaniment from Nova Organi Harmonia, part I, pp. 164–164, shown as 29 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

DUM clamárem ad Dóminum, exaudívit vocem meam, ab his qui appropínquant mihi : et humiliávit eos, qui est ante saécula, et manet in aetérnum : jacta cogitátum tuum in Dómino, et ipse te enútriet. Exáudi Deus oratiónem meam, et ne despéxeris deprecatiónem meam : inténde mihi, et exáudi me. Glória Patri. E u o u a e.

Text source: GregoBase

Music from Dominica X Post Pentecosten, Nova Organi Harmonia, part II, pp. 176–181 (rubric cites Nova Organi Harmonia, part II, p. 176).

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Introit: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Chant text · Latin

JActa cogitátum tuum in Dómino, et ipse te enútriet. Dum clamárem ad Dóminum, exaudívit vocem meam ab his qui appropínquant mihi.

Text source: GregoBase

Music from Dominica III Post Pentecosten§, Nova Organi Harmonia, part II, pp. 144–149 (rubric cites Nova Organi Harmonia, part II, p. 145).

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Gradual: the music, typeset

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Chant text · Latin

AD te Dómine levávi ánimam meam : Deus meus, in te confído, non erubéscam : neque irrídeant me inimíci mei : étenim univérsi qui te exspéctant, non confundéntur.

Text source: GregoBase

Music from Dominica I Adventus, Nova Organi Harmonia, part I, pp. 3–7 (rubric cites Nova Organi Harmonia, part I, p. 6).

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Offertory: the music, typeset

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Chant text · Latin

Acceptá bis sacrifí cium ju stítiæ, oblatiónes et holocáu sta, su per altá re tuum, Dómine.

Text source: Volunteer transcription

Music from Dominica X Post Pentecosten, Nova Organi Harmonia, part II, pp. 176–181 (rubric cites Nova Organi Harmonia, part II, p. 181).

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Communion: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 164–164

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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