Sabbato post Cineres

Sabbato post Cineres· printed pp. 167–167· 20 systems shown below

Catalogued, not yet verified.The title, mode and page range on this page were derived automatically from the 1942 printed index and have not been checked by a person.The music images themselves are not in doubt — they are the scanned pages of the printed edition.Something here is wrong

The book gives this music by reference: Sabbato resumitur Missa Feriae praecedentis, praeter Tractum, qui omittitur.

Music: Feria VI post Cineres — Mass of the preceding Friday, omitting the Tract (Nova Organi Harmonia, part I, pp. 164–167)

Feria VI post Cineres — Mass of the preceding Friday, omitting the Tract, mode not recorded, organ accompaniment from Nova Organi Harmonia, part I, pp. 164–167, shown as 20 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

AUdívit Dóminus, et misértus est mihi : Dóminus factus est adjútor meus. Exaltábo te Dómine, quóniam suscepísti me : nec delectásti inimícos meos super me. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

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Chant text · Latin

Unam pétii a Dómino, hanc requíram, ut inhábitem in domo Dómini. Ut vídeam voluptátem Dómini : et prótegar a templo sancto ejus.

Text source: GregoBase

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Gradual: the music, typeset

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Offertory · Offert. III · Domine vivifica me

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Chant text · Latin

Domine, vivífica me secúndum elóqui um tuum: ut sci am te stimónia tua.

Text source: Volunteer transcription

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Offertory: the music, typeset

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Communion · Comm. V · Servite Domino

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Chant text · Latin

Servíte Dómino in timó re, et exsultáte e i cum tre mó re: apprehéndite disciplínam, ne pereátis de via justa.

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Communion: the music, typeset

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Tract: the book refers to Nova Organi Harmonia, part I, printed page 160. The exact music systems for this reference have not yet been identified.

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 164–167

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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