Ss. Viti, Modesti atque Crescentiæ Martyrum

Ss. Viti, Modesti atque Crescentiæ Martyrum· printed pp. 211–213· 32 systems

Ss. Viti, Modesti atque Crescentiæ Martyrum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 211–213, shown as 32 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

MUltae tribulatiónes justórum, et de his ómnibus liberávit eos Dóminus : Dóminus custódit ómnia ossa eórum : unum ex his non conterétur. Benedícam Dóminum in omni témpore : semper laus ejus in ore meo. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Chant text · Latin

EXsultábunt sancti in glória : laetabúntur in cubílibus suis. Cantáte Dómino cánticum novum : laus ejus in ecclésia sanctórum.

Text source: GregoBase

Chant text · Latin

Allelúia. Sancti tui, Dómine, benedícent te : glóriam regni tui dicent.

Text source: GregoBase

Music from Ss. Fabiani et Sebastiani Martyrum, Nova Organi Harmonia, part III, pp. 40–42 (rubric cites Nova Organi Harmonia, part III, p. 40).

Chant text · Latin

MIrábilis Deus in sanctis suis : Deus Israel, ipse dabit virtútem, et fortitúdinem plebi suae : benedíctus Deus, allelúia.

Text source: GregoBase

Music from Commune Plurimorum Martyrum, Nova Organi Harmonia, part IV, pp. 40–48 (rubric cites Nova Organi Harmonia, part IV, p. 47).

Chant text · Latin

JUstórum ánimae in manu Dei sunt, et non tanget illos torméntum malítiae : visi sunt óculis insipiéntium mori, illi autem sunt in pace.

Text source: GregoBase

Music from Ss. Marcellini, Petri, atque Erasmi Martyrum, Nova Organi Harmonia, part III, pp. 189–189 (rubric cites Nova Organi Harmonia, part III, p. 189).

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Communion: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 211–213

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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