Sts. Marcellinus, Peter, & Erasmus

Ss. Marcellini, Petri, atque Erasmi Martyrum

IV class · Red

Proper

Ss. Marcellini, Petri, atque Erasmi Martyrum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 189–189, shown as 38 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

CLamavérunt justi, et Dóminus exaudívit eos : et ex ómnibus tribulatiónibus eórum liberávit eos. Benedícam Dóminum in omni témpore : semper laus ejus in ore meo. Glória Patri. E u o u a e.

Text source: GregoBase

Music from Ss. Quadraginta Martyrum, Nova Organi Harmonia, part III, pp. 106–107 (rubric cites Nova Organi Harmonia, part III, p. 106).

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Introit: the music, typeset

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Chant text · Latin

CLamavérunt justi, et Dóminus exaudívit eos : et ex ómnibus tribulatiónibus eórum liberávit eos. Juxta est Dóminus his, qui tribuláto sunt corde : et húmiles spíritu salvábit.

Text source: GregoBase

Music from Commune plurimorum Martyrum — alia Missa (II), Nova Organi Harmonia, part IV, pp. 54–60 (rubric cites Nova Organi Harmonia, part IV, p. 55).

Chant text · Latin

Allelúia. Ego vos elégi de mundo, ut eátis, et fructum afferátis : et fructus vester máneat.

Text source: GregoBase

Music from S. Barnabæ Apostoli, Nova Organi Harmonia, part III, pp. 203–206 (rubric cites Nova Organi Harmonia, part III, p. 205).

Chant text · Latin

LAetámini in Dómino, et exsultáte justi : et gloriámini omnes recti corde.

Text source: GregoBase

Music from Ss. Fabiani et Sebastiani Martyrum, Nova Organi Harmonia, part III, pp. 40–42 (rubric cites Nova Organi Harmonia, part III, p. 41).

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Offertory: the music, typeset

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Chant text · Latin

JUstórum ánimae in manu Dei sunt, et non tanget illos torméntum malítiae : visi sunt óculis insipiéntium mori, illi autem sunt in pace.

Text source: GregoBase

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Communion: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 189–189

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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