St. Boniface

S. Bonifatii Episc. et Mart.

III class · Red · next on Saturday, 5 June 2027

Proper

S. Bonifatii Episc. et Mart., mode not recorded, organ accompaniment from Nova Organi Harmonia, part III, pp. 194–201, shown as 48 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

EXsultábo in Jerúsalem, et gaudébo in pópulo meo : et non audiéntur in eo ultra vox fletus et vox clamóris. Elécti mei non laborábunt frustra, neque generábunt in conturbatióne : quia semen benedictórum Dómini est, et nepótes eórum cum eis. Allelúia, allelúia. Deus áuribus nostris audívimus : patres nostri narravérunt opus, quod operátus es in diébus eórum. Glória Patri. E u o u a e.

Text source: GregoBase

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Introit: the music, typeset

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Chant text · Latin

COmmunicántes Christi passiónibus, gaudéte, ut in revelatióne glóriae ejus gaudeátis exsultántes. Si exprobrámini in nómini Christi, beáti éritis : quóniam quod est honóris, glóriae, et virtútis Dei, et qui est ejus spíritus, super vos requiéscet.

Text source: GregoBase

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Gradual: the music, typeset

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Chant text · Latin

Allelúia. Declinábo super eum quasi flúvium pacis, et quasi torréntem inundántem glóriam.

Text source: GregoBase

Chant text · Latin

BEnedícam Dóminum, qui mihi tríbuit intelléctum : providébam Deum in conspéctu meo semper : quóniam a dextris est mihi, ne commóvear. Allelúia.

Text source: GregoBase

Music from Feria II infra Hebd II Quadragesimæ, Nova Organi Harmonia, part I, pp. 209–213 (rubric cites Nova Organi Harmonia, part I, p. 212).

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Offertory: the music, typeset

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Chant text · Latin

QUI vícerit, dabo ei sedére mecum in throno meo : sicut et ego vici, et sedi cum Patre meo in throno ejus. Allelúia.

Text source: GregoBase

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Communion: the music, typeset

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Ordinary

Missa XII — Pater cuncta

Kyriale heading: “In Festis Semiduplicibus” (for Saturday, 5 June 2027). NOH (1942) ranks feasts as doubles and semidoubles; the 1962 calendar uses classes. The correspondence used here is approximate.

In Festis Semiduplicibus 1, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 68–72, shown as 29 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

GLória in excélsis Deo. Et in terra pax homínibus bonae voluntátis. Laudámus te. Benedícimus te. Adorámus te. Glorificámus te. Grátias ágimus tibi propter magnam glóriam tuam. Dómine Deus, Rex caeléstis, Deus Pater omnípotens. Dómine Fili unigénite Jesu Christe. Dómine Deus, Agnus Dei, Fílius Patris. Qui tollis peccáta mundi, miserére nobis. Qui tollis peccáta mundi, súscipe deprecatiónem nostram. Qui sedes ad déxteram Patris, miserére nobis. Quóniam tu solus sanctus. Tu solus Dóminus. Tu solus Altíssimus, Jesu Christe. Cum Sancto Spíritu, in glória Dei Patris. Amen.

Text source: GregoBase

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Gloria: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Chant text · Latin

I-\kern 6mm[De-]te,[o] mis[grá-]sa[ti-] est.[as.]

Text source: GregoBase

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Ite, missa est: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 194–201

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 68–72

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

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