Thursday of the Second Week of Lent

Feria V Hebdomadae II Quadragesimae

All years · all seasons. Every applicable alternative starts selected; choose the chants required for this celebration.

Thursday of the Second Week of Lent, assembled from Nova Organi Harmonia sources for the Graduale Romanum (1974) assignment. Each borrowed section identifies its printed NOH source. The music is shown as 24 scanned systems from the 1942 edition and cannot be read by a screen reader.
Chant text · Latin

DEus in adjutórium meum inténde : Dómine ad adjuvándum me festína : confundántur et revereántur inimíci mei, qui quaerunt ánimam meam. Avertántur retrórsum et erubéscant, qui volunt mihi mala. Glória Patri. E u o u a e.

Text source: GregoBase

Music from Dominica XII Post Pentecosten, Nova Organi Harmonia, part II, pp. 186–194.

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Introit: the music, typeset

Typeset, not yet proofread· from the volunteers' transcription·

Chant text · Latin

BEátus vir, qui timet Dóminum : in mandátis ejus cupit nimis. Potens in terra erit semen ejus : generátio rectórum benedicétur.

Text source: GregoBase

Music from Commune unius Martyris non Pontificis, Nova Organi Harmonia, part IV, pp. 18–23.

Chant text · Latin

DOmine, ad adjuvándum me festína : confundántur omnes advérsum me, qui cógitant servis tuis mala.

Text source: GregoBase

Music from Feria V infra Hebd IV Quadragesimæ, Nova Organi Harmonia, part I, pp. 264–266.

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Offertory: the music, typeset

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Chant text · Latin

QUI mandúcat carnem meam, et bibit sánguinem meum, in me manet, et ego in eo, dicit Dóminus.

Text source: GregoBase

Music from Dominica IX Post Pentecosten, Nova Organi Harmonia, part II, pp. 171–176.

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Communion: the music, typeset

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Ordinary

The Kyriale heading suggests a setting. Every Mass is available.

Missa XVIII

In Feriis Adventus et Quadragesimae, in Vigiliis, Feriis IV. Temporum et in Missa Rogationum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 96–98, shown as 14 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Ite, missa est

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Ite, missa est: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 96–98

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

About this set

Graduale Romanum (1974) · 4 assigned chants

Every applicable alternative starts selected, and the music for other years and seasons stays on the page. Choose the chants required for this celebration.

This page assembles available Nova Organi Harmonia music for chants assigned in the 1974 Graduale Romanum.

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 186–194

pp. 171–176

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book IV
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 18–23

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 264–266

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Chant assignments follow the Graduale Romanum (1974). Each NOH section remains linked to its printed source and correction target.