Monday of the Fifth Week of Lent

Feria II Hebdomadae V Quadragesimae

Communion: Nemo te condemnavit with the Gospel of the woman taken in adultery; otherwise Panis quem ego dedero (GR1974 p. 126).

All years · all seasons. Every applicable alternative starts selected; choose the chants required for this celebration.

Monday of the Fifth Week of Lent, assembled from Nova Organi Harmonia sources for the Graduale Romanum (1974) assignment. Each borrowed section identifies its printed NOH source. The music is shown as 22 scanned systems from the 1942 edition and cannot be read by a screen reader.
Chant text · Latin

MIserére mihi Dómine, quóniam conculcávit me homo : tota die bellans tribulávit me. Conculcavérunt me inimíci mei tota die : quóniam multi bellántes advérsum me. Miserére.

Text source: GregoBase

Music from Feria II infra Hebd Passionis, Nova Organi Harmonia, part I, pp. 281–284.

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Introit: the music, typeset

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Chant text · Latin

SI ámbulem in médio umbrae mortis, non timébo mala : quóniam tu mecum es, Dómine. Virga tua, et báculus tuus, ipsa me consoláta sunt.

Text source: GregoBase

Music from Sabbato infra Hebd III Quadragesimæ, Nova Organi Harmonia, part I, pp. 246–250.

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Gradual: the music, typeset

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Chant text · Latin

GRessus meos dírige Dómine secúndum elóquium tuum : ut non dominétur omnis injustítia, Dómine.

Text source: GregoBase

Music from Sabbato infra Hebd III Quadragesimæ, Nova Organi Harmonia, part I, pp. 246–250.

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Offertory: the music, typeset

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Chant text · Latin

NEmo te condemnávit, múlier? Nemo, Dómine. Nec ego te condemnábo : jam ámplius noli peccáre.

Text source: GregoBase

Music from Sabbato infra Hebd III Quadragesimæ, Nova Organi Harmonia, part I, pp. 246–250.

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Communion (Years A and B) I: the music, typeset

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Chant text · Latin

PAnis, quem ego dédero, caro mea est pro saéculi vita.

Text source: GregoBase

Music from Dominica XV Post Pentecosten, Nova Organi Harmonia, part II, pp. 206–212.

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Communion (Year C) II: the music, typeset

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Ordinary

The Kyriale heading suggests a setting. Every Mass is available.

Missa XVIII

In Feriis Adventus et Quadragesimae, in Vigiliis, Feriis IV. Temporum et in Missa Rogationum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 96–98, shown as 14 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : miserére nobis. Agnus Dei, qui tollis peccáta mundi : dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Ite, missa est

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Ite, missa est: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 96–98

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

About this set

Graduale Romanum (1974) · 5 assigned chants

Every applicable alternative starts selected, and the music for other years and seasons stays on the page. Choose the chants required for this celebration.

This page assembles available Nova Organi Harmonia music for chants assigned in the 1974 Graduale Romanum.

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 281–284

pp. 246–250

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 206–212

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Chant assignments follow the Graduale Romanum (1974). Each NOH section remains linked to its printed source and correction target.