Sunday 18 in Ordinary Time

Dominica 18 per annum

All years · all seasons. Every applicable alternative starts selected; choose the chants required for this celebration.

Sunday 18 in Ordinary Time, assembled from Nova Organi Harmonia sources for the Graduale Romanum (1974) assignment. Each borrowed section identifies its printed NOH source. The music is shown as 70 scanned systems from the 1942 edition and cannot be read by a screen reader.
Chant text · Latin

SItiéntes veníte ad aquas, dicit Dóminus : et qui non habétis prétium, veníte, bíbite cum laetítia. Atténdite pópule meus legem meam : inclináte aurem vestram in verba oris mei. Glória Patri. E u o u a e.

Text source: GregoBase

Music from Sabbato infra Hebd IV Quadragesimæ, Nova Organi Harmonia, part I, pp. 268–273.

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Introit (Year A) I: the music, typeset

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Chant text · Latin

DEus in adjutórium meum inténde : Dómine ad adjuvándum me festína : confundántur et revereántur inimíci mei, qui quaerunt ánimam meam. Avertántur retrórsum et erubéscant, qui volunt mihi mala. Glória Patri. E u o u a e.

Text source: GregoBase

Music from Dominica XII Post Pentecosten, Nova Organi Harmonia, part II, pp. 186–194.

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Introit (Years B and C) II: the music, typeset

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Chant text · Latin

Oculi ómnium in te sperant, Dómine : et tu das illis escam in témpore opportúno. Aperis tu manum tuam : et imples omne ánimal benedictióne.

Text source: GregoBase

Music from Corporis Christi, Nova Organi Harmonia, part II, pp. 114–127.

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Gradual (Year A) I: the music, typeset

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Chant text · Latin

BEnedícam Dóminum in omni témpore : semper laus ejus in ore meo. In Dómino laudábitur ánima mea : áudiant mansuéti, et laeténtur.

Text source: GregoBase

Music from Dominica XII Post Pentecosten, Nova Organi Harmonia, part II, pp. 186–194.

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Gradual (Years B and C) II: the music, typeset

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Chant text · Latin

Allelúia. Dómine Deus salútis meae, in die clamávi, et nocte coram te.

Text source: GregoBase

Music from Dominica XII Post Pentecosten, Nova Organi Harmonia, part II, pp. 186–194.

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Alleluia: the music, typeset

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Chant text · Latin

PRecátus est Móyses in conspéctu Dómini Dei sui, et dixit. Precátus est Móyses in conspéctu Dómini Dei sui, et dixit : Quare, Dómine, irásceris in pópulo tuo? Parce irae ánimae tuae : meménto Abraham, Isaac et Jacob, quibus jurásti dare terram fluéntem lac et mel. Et placátus factus est Dóminus de malignitáte, quam dixit fácere pópulo suo.

Text source: GregoBase

Music from Dominica XII Post Pentecosten, Nova Organi Harmonia, part II, pp. 186–194.

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Offertory (Years A and B) I: the music, typeset

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Chant text · Latin

SAnctificávit Móyses altáre Dómino, ófferens super illud holocáusta, et ímmolans víctimas : fecit sacrifícium vespertínum in odórem suavitátis Dómino Deo, in conspéctu filiórum Israel.

Text source: GregoBase

Music from Dominica XVIII Post Pentecosten, Nova Organi Harmonia, part II, pp. 229–233.

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Offertory (Year C) II: the music, typeset

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Chant text · Latin

PAnem de caelo dedísti nobis, Dómine, habéntem omne delectaméntum, et omnem sapórem suavitátis.

Text source: GregoBase

Music from Dominica XIII Post Pentecosten, Nova Organi Harmonia, part II, pp. 194–200.

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Communion: the music, typeset

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Ordinary

The Kyriale heading suggests a setting. Every Mass is available.

Missa XI — Orbis factor

In Dominicis infra annum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 62–67, shown as 31 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

GLória in excélsis Deo. Et in terra pax homínibus bonae voluntátis. Laudámus te. Benedícimus te. Adorámus te. Glorificámus te. Grátias ágimus tibi propter magnam glóriam tuam. Dómine Deus, Rex caeléstis, Deus Pater omnípotens. Dómine Fili unigénite Jesu Christe. Dómine Deus, Agnus Dei, Fílius Patris. Qui tollis peccáta mundi, miserére nobis. Qui tollis peccáta mundi, súscipe deprecatiónem nostram. Qui sedes ad déxteram Patris, miserére nobis. Quóniam tu solus sanctus. Tu solus Dóminus. Tu solus Altíssimus, Jesu Christe. Cum Sancto Spíritu, in glória Dei Patris. Amen.

Text source: GregoBase

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Gloria: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi: miserére nobis. Agnus Dei, qui tollis peccáta mundi: miserére nobis. Agnus Dei, qui tollis peccáta mundi: dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Chant text · Latin

Ite, missa est. Deo grátias.

Text source: GregoBase

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Ite, missa est: the music, typeset

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Chant text · Latin

BEnedicámus Dómino. Deo grátias.

Text source: GregoBase

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Benedicamus Domino: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 62–67

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

About this set

Graduale Romanum (1974) · 8 assigned chants

Every applicable alternative starts selected, and the music for other years and seasons stays on the page. Choose the chants required for this celebration.

This page assembles available Nova Organi Harmonia music for chants assigned in the 1974 Graduale Romanum.

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 268–273

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 186–194

pp. 114–127

pp. 229–233

pp. 194–200

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Chant assignments follow the Graduale Romanum (1974). Each NOH section remains linked to its printed source and correction target.