Sunday 19 in Ordinary Time

Dominica 19 per annum

All years · all seasons. Every applicable alternative starts selected; choose the chants required for this celebration.

Sunday 19 in Ordinary Time, assembled from Nova Organi Harmonia sources for the Graduale Romanum (1974) assignment. Each borrowed section identifies its printed NOH source. The music is shown as 62 scanned systems from the 1942 edition and cannot be read by a screen reader.
Chant text · Latin

REspice, Dómine, in testaméntum tuum, et ánimas páuperum tuórum ne derelínquas in finem : exsúrge Dómine, et júdica causam tuam : et ne obliviscáris voces quaeréntium te. Ut quid Deus repulísti in finem : irátus est furor tuus super oves páscuae tuae? Glória Patri. E u o u a e.

Text source: GregoBase

Music from Dominica XIII Post Pentecosten, Nova Organi Harmonia, part II, pp. 194–200.

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Introit: the music, typeset

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Chant text · Latin

OSténde nobis, Dómine, misericórdiam tuam : et salutáre tuum da nobis. Benedixísti, Dómine, terram tuam : avertísti captivitátem Jacob.

Text source: GregoBase

Music from Feria VI Quattuor Temporum Adventus, Nova Organi Harmonia, part I, pp. 20–23.

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Gradual (Year A) I: the music, typeset

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Chant text · Latin

REspice, Dómine, in testaméntum tuum : et ánimas páuperum tuórum ne obliviscáris in finem. Exsúrge Dómine, et júdica causam tuam : memor esto oppróbrii servórum tuórum.

Text source: GregoBase

Music from Dominica XIII Post Pentecosten, Nova Organi Harmonia, part II, pp. 194–200.

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Gradual (Year B) II: the music, typeset

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Chant text · Latin

BEáta gens, cujus est Dóminus Deus eórum : pópulus, quem elégit Dóminus in hereditátem sibi. Verbo Dómini caeli firmáti sunt : et spíritu oris ejus omnis virtus eórum.

Text source: GregoBase

Music from Dominica XVII Post Pentecosten, Nova Organi Harmonia, part II, pp. 216–222.

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Gradual (Year C) III: the music, typeset

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Chant text · Latin

Allelúia. Dómine, refúgium factus es nobis a generatióne et progénie.

Text source: GregoBase

Music from Dominica XIII Post Pentecosten, Nova Organi Harmonia, part II, pp. 194–200.

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Alleluia: the music, typeset

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Chant text · Latin

IN te sperávi, Dómine : dixi : Tu es Deus meus, in mánibus tuis témpora mea. Allelúia.

Text source: GregoBase

Music from Dominica XIII Post Pentecosten, Nova Organi Harmonia, part II, pp. 194–200.

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Offertory: the music, typeset

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Chant text · Latin

PAnis, quem ego dédero, caro mea est pro saéculi vita.

Text source: GregoBase

Music from Dominica XV Post Pentecosten, Nova Organi Harmonia, part II, pp. 206–212.

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Communion (Years A and B) I: the music, typeset

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Chant text · Latin

BEátus servus, quem, cum vénerit Dóminus, invénerit vigilántem : amen dico vobis, super ómnia bona sua constítuet eum. Allelúia.

Text source: GregoBase

Music from S Basilidus, Nova Organi Harmonia, part III, pp. 207–209.

Ordinary

The Kyriale heading suggests a setting. Every Mass is available.

Missa XI — Orbis factor

In Dominicis infra annum, mode not recorded, organ accompaniment from Nova Organi Harmonia, part V, pp. 62–67, shown as 31 scanned music systems. These are images of a 1942 printed score and cannot be read by a screen reader.
Chant text · Latin

KYrie eléison. Christe eléison. Kýrie eléison. Kýrie eléison.

Text source: GregoBase

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Kyrie: the music, typeset

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Chant text · Latin

GLória in excélsis Deo. Et in terra pax homínibus bonae voluntátis. Laudámus te. Benedícimus te. Adorámus te. Glorificámus te. Grátias ágimus tibi propter magnam glóriam tuam. Dómine Deus, Rex caeléstis, Deus Pater omnípotens. Dómine Fili unigénite Jesu Christe. Dómine Deus, Agnus Dei, Fílius Patris. Qui tollis peccáta mundi, miserére nobis. Qui tollis peccáta mundi, súscipe deprecatiónem nostram. Qui sedes ad déxteram Patris, miserére nobis. Quóniam tu solus sanctus. Tu solus Dóminus. Tu solus Altíssimus, Jesu Christe. Cum Sancto Spíritu, in glória Dei Patris. Amen.

Text source: GregoBase

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Gloria: the music, typeset

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Chant text · Latin

SAnctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt caeli et terra glória tua. Hosánna in excélsis. Benedíctus qui venit in nómine Dómini. Hosánna in excélsis.

Text source: GregoBase

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Sanctus: the music, typeset

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Chant text · Latin

Agnus Dei, qui tollis peccáta mundi: miserére nobis. Agnus Dei, qui tollis peccáta mundi: miserére nobis. Agnus Dei, qui tollis peccáta mundi: dona nobis pacem.

Text source: GregoBase

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Agnus Dei: the music, typeset

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Chant text · Latin

Ite, missa est. Deo grátias.

Text source: GregoBase

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Ite, missa est: the music, typeset

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Chant text · Latin

BEnedicámus Dómino. Deo grátias.

Text source: GregoBase

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Benedicamus Domino: the music, typeset

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Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book V
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 62–67

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

About this set

Graduale Romanum (1974) · 8 assigned chants

Every applicable alternative starts selected, and the music for other years and seasons stays on the page. Choose the chants required for this celebration.

This page assembles available Nova Organi Harmonia music for chants assigned in the 1974 Graduale Romanum.

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book II
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 194–200

pp. 216–222

pp. 206–212

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book I
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.
Citation

pp. 20–23

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Source

Collection
Nova Organi Harmonia ad Graduale Romanum
Book
Book III
Edition
Lemmens Institute, Mechelen: H. Dessain, 1942.

Bound scan includes the regina and pius-x addenda (1954), each labelled Addenda ad Partem III.

Citation

pp. 207–209

Rights
The page images and everything cut from them are in the public domain.
Sources and attributions

Chant assignments follow the Graduale Romanum (1974). Each NOH section remains linked to its printed source and correction target.